Salim and Usman weren’t friends, but they were the only ones who understood each other. They hated each other. It was a respectful hate that only two rivals, the best at what they do, can share.
They were disciples of the greatest chronicler of the realm, and everyone knew when he decided to stop writing one them would succeed him in the court, and sit behind the throne to record all the sayings of the court. The Chronicler already knew that either one of them would serve the sultan better than he could. He was pondering the question of who should succeed him.
It wasn’t an easy question, because of how different they were, and how much they hated each other. They’d never admit to the hate, but they’d never been able to work together, and the chronicler knew to choose one was to lose the other. As a teacher he had a greater choice to make as well: the art of writing could not afford to lose either one of them.
Writing was a rare talent, the ability to see in everyday events the making of the legends of the future. To serve the sultan well, was to make him a hero, and to lie was to insult him. To write, one had to see things differently. The heavens did not part at the words of the Sultan, God did not speak to his people from a bush, but the writer could make him. And he could not lie, so the writer had to use metaphors, ideas, techniques, comparisons, to bring out the greatness of the Great one. Even if in the decadence of the age, his throne shone less grandly, that it was made of Gold should not be forgotten. That was the responsibility of the writer.
The chronicler was a great writer, but a better teacher, and his disciples had been taught and moulded as the finest hands from the very start. They had been meticulously trained in the formation of words, or lines, of dots, of the language. Each stroke of the pen, each dip in the ink, each flick of the wrist, perfectly controlled, and so precise, they would write as beautifully if blindfolded. In fact they could, he’d made them.
He trained them in the choice of words, explained the reason for using one word instead of the other, when to go with your instinctive choice and when to think that much more. When to write the words that just flow from the nib, and when to pause… when to break with grammar, how to say more than language traditionally allowed one to. How to use the paper, and the shape and sounds of words to create pictures and shapes in the eyes of the reader, to make writing more than transmission, to make writing a method to engender ideas.
Salim and Usman had learnt it all, but still searched for more.
Usman looked through the writings of the great ones, he spent all his time reading, and slowly understanding. He became solemn like the great chronicler. He never discussed what he’d read, unlike the other scholars who spent their days in the archives, he wasn’t concerned with the information he’d read, but with how it had been written. And he asked himself why the method had been chosen. Slowly he began to understand. And his writing became like to that of the great ones… he found the right comparisons, he thought about the right order for the words to flow in. He spent hours constructing sentences, and then slowly, deliberately he made all the small strokes that first created letters then grouped them into words, and then a sentence, a paragraph, a piece, an idea… and just as slowly as his art materialised he’d feel the satisfaction of the what he did seep through his being.
Salim was not as patient, he wasn’t patient at all. He couldn’t wait for the Sunrise before he left his home, he couldn’t wait for the sunset before he turned to the courtesans, and he didn’t recognise the night. He’d spend days under the sky, watching clouds. He’d watch leaves in the wind, he watched the courtesans as they spun dancing. He watched rain fall, and felt it on his face, and felt its softness, its wetness; he lay under the moon to feel the dew, and thought of how it was different to the rain, and yet the same, and the ice in winter. He watched the grass he lay on, and felt the velvet of its blades, and the sharpness of its margins and wondered… why in grass the lines were all parallel, but in some leaves they made odd designs, and what odd meant? He watched the stillness in things, in the trees trunks, in the blue of the sky, and the stars, and saw in them the energies that drove the universe, and he felt communion with that energy. He ran from one day to the next, barely waiting for the rest of the world to catch up. He rarely ever wrote, or tried to writer better. He wrote about what he knew, and about what he thought, his hand was flawless, from the first time he picked up a nib, he never smudged a word, he never drew a long dot, and he never thought about what he did.